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I think you misread my comment. I didn’t call you a fascist, I simply called out two points where your comparison falls flat.
I think you misread my comment. I didn’t call you a fascist, I simply called out two points where your comparison falls flat.
Thanks for the writeup. It helps to know where to look to make an informed decision, when I finally have the time to sit down and de-google.
Yeah I never doubted you’d have a reason to dismiss being called out like that. Getting your feelings hurt invalidates everything else. I feel like I’m talking to myself from 10 years ago.
You don’t have to take it from me. If you’re a student of history, maybe start with Umberto Eco. He knew a thing or two about fascism, I’ve heard.
The biggest mistake we can make is to assume it can’t happen again.
So yes they’re fascist, but the progressives complained too much about racism, and therefore it’s fine to support the fascists?
IDK what to tell you but your political ideology is privileged garbage. You’re more scared of being called racist than of fascism. The kind of “yes ethnic cleansing but please no mean language” attitude. Please get a political education and your priorities straight.
Escape from Tuta for what reason if you’re willing to share? I see it recommended a lot.
He directly profits from Proton subscriptions. As does the rest of the leadership which seem to back him on this.
A comparison between singing the praises for a modern proto-fascist movement and “secretly loving Windows” is… certainly something.
Mate they’re mainstreaming fascist rhetoric. Over 60% of Republicans now believe in the Great Replacement theory aka White Genocide, which used to be a conspiracy theory on the fringes of white nationalist propaganda just about a decade ago.
I encourage you to not get hung up on symbolism and instead look to ideology and rhetoric.
The flaw was to assume there’s a connection between what Republicans say and what they do.
In what way?
Asolute security doesn’t exist, it’s always a trade-off with cost, time investment, and convenience.
This is in reference to Trump, yes, not Andy Yen?
Older people rely on logic. And most interfaces are the opposite of logical.
Younger people have this idea of "press a bunch of buttons and once you see how it works, then memorize the steps ".
That’s the exact opposite of my experience.
I tried to explain Windows logically to the seniors in my family. This is a window. This is the taskbar, it shows your open windows. This is a folder, it contains your documents.
Every time we would start over with these abstractions which are supposed to make logical sense, the very foundation of Windows’ early success with casual users. None of it ever stuck with them.
They would instead write down every minor step to achieve a specific goal in a specific way, so they could basically control Windows without paying any attention to context presented on the screen. That’s the only thing that worked for them.
Not universally hated by any means. But there are plenty of people that expect a movie to fit a certain Hollywood formula, which includes not challenging your audience too much. And so they judge movies by standards that an epic artistic endeavor like Cloud Atlas was never trying to meet.
Also the whole “gender- and race-bending” made some people uncomfortable, even though it’s merely the same actors portraying completely different characters.
Add to this that certain influential studio voices in Hollywood had previously rejected the project outright when they were first approached by the Wachowskis. So it was clear they would never give it a fair shake after it was produced in Europe, against their judgment and without their blessing, and under such unconventional circumstances.
You’re probably right. I’ve never read the book.
Having the same actor play the same part in each time made following the plot easier, at least for me.
This is what I expected to see on first watch, and was a bit confused that at least some actors did actually “switch sides” between timelines. Going by interviews, it seems this was possibly meant to reflect an evolution of souls. But to me the message of the movie works just as well, if not better, if you leave out the concept of persistence of souls or individuals altogether, accept that some of them just look similar, and think more in terms of repeating patterns and ideas across eras.
Jim Brodbent in particular, I thought, delivered a spectacularly good performance.
Hard agree. His contemporary and light-hearted “shady publicist to nursing home jail break” plotline also really worked well to ground the movie in between epic-dramatic segments.
It spoke to me when I watched it at the right point in my personal development. As is often the case with movies or experiences that try to convey something meaningful, whether the message lands depends just as much on the watcher. I honestly don’t blame anyone for whom it was a lengthy and confusing blurb. The narrative structure and casting choices are so far outside what audiences are used to, that the script was thrown out by every major Hollywood studio at the time despite the prestigious names behind it. I myself was quite confused on some of the timelines and characters until my 2nd rewatch, and that’s a lot to ask for a movie of this length. It really never had a shot at mass appeal, so in an economic sense those studios were right. I’m just fascinated and grateful it ever got made. It truly was a leap of faith and a labor of love for many, the Wachowskis and Tom Hanks in particular. And I feel like this shines through in the final release, rough edges and all.
I read the story you linked and I absolutely see the parallels. I feel like I may have read it once already years ago. It’s quite the philosophically intriguing concept.
The things you mention are narrative elements. The message is repeated almost like a mantra throughout the movie, and later revealed or summarized as the ‘prophetic’ words of Son-Mi:
Our lives are not our own. We are bound to others, past and present, and by each crime and every kindness, we birth our future.
This is the core thesis of the movie, standing in direct opposition to the various antagonists’ ideology, which can be summed up as self-serving nihilism and upholding the status quo of might makes right / the natural order by any means.
Honey’s base business model probably falls apart without some linkjacking. You go to a website to buy something and it says no no go buy it from these people instead.
That’s not what Honey does.
Lots of people love to hate Cloud Atlas. I see it as flawed work of art with a good message and an amazing cast, produced under such nearly impossible circumstances that we are more than lucky it ever saw the light of day.
Money makes the world go round
As creator that makes some of their profits from affiliate links, I don’t see how that could be the case for him.
Seems more likely they had a reason to avoid beef with PayPal.
The vast, vast majority of people don’t quit their job or their employer, but their boss and coworkers.
Don’t underestimate how much healthy relationships at work matter when you spend so much of your time there. Yes, in tech jobs as well. So stick with IT if you like it, but don’t stick around in a bad environment. Especially if you plan to have a family in X years, because then it gets a lot harder and riskier to jump ship and change your situation.